Andrey zvyagintsev leviathan, andrey zvyagintsev the return, andrey zvyagintsev pronunciation, andrey zvyagintsev interview. CC 2003 Dirigido: Andrei Zvyagintsev Fotograf Andrei Zvyagintsev: The viewer is to decide what there was in that box; Entrevista con el director sobre la pel Directed by Andrey Zvyagintsev. With Vladimir Garin, Ivan Dobronravov, Konstantin Lavronenko, Nataliya Vdovina. In the Russian wilderness, two brothers face a range of new, conflicting emotions when their father - a man they. Get this from a library! QUESTIONS TO THE DIRECTORThis film is a thought about thinking, prompting us to look for answers. Answers dispensed like that . Each of us needs to look for them himself. There are people who think the answer is clear: I would have done the same. That’s their responsibility, that’s how they find their . That’s the baggage they’ve brought with them to this point in their lives today and there’s nothing to be done about it unfortunately. I don’t know how to confront that. I don’t know what has to be woven together has to be created so that people should appreciate that, should grasp that this involves them, precisely them — not in such a way that they should derive satisfaction from such a realisation, but as a wake- up call to make them think about themselves in a completely different light. It’s a question I’m still working on. What is, however, perfectly clear to me is that what we don’t want to do is concoct sugary fairy- tales — all that sanctimonious treacle, cheap lemon sherbet which lull us into a sweet sleep about ourselves. We need to talk about the real issue, what is important, what is really happening and what you actually see, what makes you worry about what is happening to you and society.. Those may sound highfaluting words, forgive me, but how else can you put it? If we think hard about something, select it and decide quite simply to go out and film it, it will not work at such a 'deep' level. At difficult moments, whatever choice has to be made. I measure myself up against one particular well- known character and understand straightaway what needs to be done. Everything becomes completely clear, but it is very difficult to take the next step, to find in oneself the courage to undertake the necessary action and follow it through. Perhaps that explanation sounds over- dramatic but that’s really how it is. I don’t have any other criterion, there’s no- one to prompt me as to what I should do and how. I’m not even talking here about words, which might inspire me to act. Reference has already been made to the Legend of the Grand Inquisitor today. So that’s it, His silence — Dostoevsky’s invention of pure genius. El regreso (Vozvrashchenie, 2. Andrei Zvyagintsev. P. Vozvrashchenie, doloroso drama paterno- filial, constituye uno de. Al igual que el autor de Stalker. Zvyagintsev realza la textura de los materiales que aparecen en pantalla, capta. Esta primera imagen adquiere su significado al final, una vez se. Zvyagintsev estructura la trama a lo. El regreso es una road movie. Este viaje que. llevan a cabo el padre y sus dos hijos por los bellos parajes del norte de. Rusia (portentosa fotograf. Frente a la severa figura del progenitor, al que. Zvyagintsev presenta tumbado en la cama cual Cristo muerto de Mantegna, y del que apenas sabemos (ni sabremos). Andrei, el mayor, en contraposici.
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